![]() In Exposition, she recounts the transformation in one long sentence, with commas, like little wounds, splicing it into filmic montage: One afternoon, Léger hid in the hedge that separated the two yards and watched a photography session between them turn into sexual foreplay. ![]() When Nathalie Léger was around nine years old, her father’s mistress moved into the house next door. Virginia Oldoïni, Countess of Castiglione, 1895 photograph by Pierre-Louis Pierson Howard Gilman Foundation/Metropolitan Museum of Art ![]()
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